ahorbinski: A DJ geisha (historical time is a construct)
Bibliographic Data: Gordon, Andrew. Fabricating Consumers: The Sewing Machine in Modern Japan. Berkeley: University of California Press, 2012.

Main Argument: "Put to manifold uses with varied meanings, both a tool of home-based production and a high-status object of consumer desire, the sewing machine and its sojourn track the emergence and then the ascendance of the middle class as cultural ideal and social formation, along with the emergence of the female consumer and professional home manager as defining figures in Japanese modern times" (9).

Fabricating consumers )

Conclusion: Argument, Sources, Examples Gordon reviews his earlier arguments; it is important to note again that "with the birth of the salesman came the birth of the consumer, in Japan as around the world," and that "in the cultural life of the consuming subject or citizen, one sees in Japan as elsewhere a two-sided modernity projected at and anchored in the imagination of a new middle class" (216, 217). In Japan as elsewhere, the sewing machine had many similar effects, including its role affirming the social order and bridging class differences. Gordon finds that local differences in Japan include "the figure of the woman managing home finance with professional attention, struggling to rein in her spendthrift husband's binging on credit tickets, to be a singular one, linked to the singularly enduring influence in high-growth, postwar Japan of the ideal of the professional housewife," and that the preponderance of home sewing in Japan is also a salient difference linked to the survival of that same housewife ideal (223).

Critical assessment: Another excellent book from Gordon, and a welcome focus on women as agents in their own historical stories and in the story of Japan's economic history. He really is an excellent writer, although the press copy editor was asleep at the switch on this one.

Further reading: Skud: Why Is It So Difficult to Make Your Own Clothes?; Mimura, Planning for Empire; Atkins, Blue Nippon
ahorbinski: Emma Goldman, anarchist (play the red queen's game)
Bibliographic Data: Gordon, Andrew. Labor and Imperial Democracy in Prewar Japan. Berkeley, CA: University of California Press, 1991.

Main Argument: Gordon argues that, rather than seeing a movement for "Taishô democracy" that began in 1905 and climaxed in 1918 (though mass male suffrage was not achieved until 1925), paying attention to "the history of workers, the urban poor, and the urban crowd" (2) shows that the movement for democratization in early 20thC Japan is better understood as what Gordon terms "imperial democracy," and that this movement "grew out of a profound transformation of society" (2-3) that was not limited to the urban bourgeoise.

Historiographical Engagement: Gordon is engaging with and arguing against the Japanese historiography of Taishô democracy. Although some Western scholars are cited in the footnotes, the fact that at the time most Western historians did not take the democracy movement in prewar 20thC Japan seriously means that Gordon does not have much to discuss with them.

Long notes on a pivotal era )

Critical assessment:
Gordon is essentially telling a story of a tripod structure (workers and their parties, the elites and their parties, and the bureaucracy)--and we should remember from Dune the mentat's dictum that a tripod is the most unstable of political structures. Gordon's problem, though, is that in his telling the bureaucracy is MIA in the second part of the book, which profoundly unbalances the work as a whole and makes the bureaucracy's central role in the third part seem to come out of nowhere. Despite this structural weakness, I think Gordon's framework of "imperial democracy" and his criticisms of "Taishô democracy" are both essentially sound.

I've previously read Gordon's history of modern Japan and his book on postwar labor, and despite Gordon's self-deprecating comments in the latter about wanting to write a book that his family could read and understand, one of the things I appreciated most about the volume in question right off the bat is how very readable it is. Gordon writes astonishingly well, and he makes his arguments forcefully but not stridently. I should pay attention.

I'm less bothered than most by quibbles about why Gordon chose Nankatsu or his - sensible, I think - refusal to get bogged down in the nitpicky definitionism that has hobbled historiography of earlier eras. Indeed, I think the central strength of this book - and the reason it deservedly won the (ironically named in this case) Fairbank Prize - is Gordon's willingness to look beyond the narrow confines of his subject and see how the Tokyo mobility, workers in Tokyo and throughout Japan, and finally elites of all stripes interacted together in a complex cauldron of forces to produce first imperial democracy and then imperial fascism. The point of this book is not actually about labor or economic history per se; it's about how those two forces, and the vectors they produced in society as a whole, drove the political history of imperial Japan. Missing that aspect of the story is deeply problematic.

I appreciated too Gordon's willingness to justifiably castigate espousers of nominalism and impact-response theory, who would deny Japan its place among fascist countries of the 1930s and 1940s and think that only outside forces can get Japan to do anything. It occurred to me while reading that, in addition to being historiographically untenable and deeply biased, the refusal to call a spade a spade in the case of Japanese fascism actually blunts the analytical usefulness of that concept, since Japanese democracy was vitiated and the country turned fascist without a charismatic maniac, unlike Germany and Italy. If it's that easy, we should all be more attentive to how and why imperial fascism was produced, not less.

My sense is that the dial on this question has moved somewhat since Gordon wrote this book, and I would guess that Labor and Imperial Democracy in Prewar Japan is itself a large part of the reason why that is. The question of fascism remains, I think, one of the most vexed for the academy as a whole - witness the abandon with which some giants in the field of Japanese history threw the term around during the Bush years - and Gordon's approach offers a nice corrective to that sort of willy-nilly approach. All in all, this is an excellent book, and deservedly a classic.

Further reading: E.P. Thompson, The Making of the English Working Class

Meta notes: Thompson's Luddite workers are an anomaly, not a prototype.
ahorbinski: shelves stuffed with books (Default)
Bibliographic Data: Gordon, Andrew. The Wages of Affluence: Labor and Management in Postwar Japan. Cambridge, MA: Harvard University Press, 1998.

Main Argument: Gordon's main argument in this readable, strongly researched account is that the postwar Japanese labor system endured not because of innate economic superiority or better treatment for its workers but thanks to the concerted operation of oppressive political and ideological practices. These practices created a gyroscopic hegemony that was well able to adapt to changing conditions and that was more durable than many commentators in the 1990s realized, but at the same time, its emergence was not a foregone conclusion; alternatives existed.

Historiographical Engagement: Gordon's main sources are the company and union archives of Nippon Kôkan (NKK), as well as interviews with many of the people involved in the events he describes conducted in the late 1980s and early 1990s.

What price prosperity? )

Critical assessment: This is an excellent, readable (by which I mean, very light on theory), and informative book; I'd read Gordon's history of modern Japan in undergrad, and would unhesitatingly teach from it, and would do the same for this book as well. I particularly appreciate Gordon's insistence that the current Japanese labor system was not a predetermined outcome, but rather the product of specific actions taken by specific people under specific conditions. This is no more than good historiography, but Gordon's combination of sources gives it a particular verve, and his linkage of labor and social norms is insightful--in some ways, this to me is a historical complement to T.J. Pempel's Regime Shift, which looks at some of the same phenomena from a political science perspective. In light of that book and of the class for which I read it, my one question for Andrew Gordon would be, What does "democracy" mean?

I can answer that question based on my own reading of Gordon (i.e. like just about everyone he follows Maruyama Masao's vision of 'democracy' as a society of politically active, independent-minded citizens), but he never defines the term in text, and while I agree with him and with Maruyama to an extent it also seems important to remember that to some extent rather than being illiberal and undemocratic Japan got the democracy it chose for itself, one featuring low citizen input in return for high economic output. Certainly many features of the Japanese political system and the socioeconomic order it created now look inadequate, perhaps more so than ever before, and Maruyama ultimately lost his famous wager on democracy as he defined it. But the Japanese are still citizens, not subjects, and the relation of work and democracy is not necessarily fixed in any country.

Further reading: Andrew Gordon, The Evolution of Labor Relations in Japan and Labor and Imperial Democracy in Prewar Japan (volumes 1 and 2 of his so-called "labor trilogy"), Fabricating Consumers (forthcoming), Nihonjin ga shiranai Matsuzaka mejaa kakumei

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ahorbinski: shelves stuffed with books (Default)
Andrea J. Horbinski

August 2017

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