ahorbinski: A DJ geisha (historical time is a construct)
I'm happy to report that the Kadokawa Summer Program is pretty cool so far. I've also finally had time to read this article by Greg Hardesty in the Los Angeles Register, "Anime Expo 2014: Fun event gets all scholarly," which is a nice profile of the academic track at AX that also happens to quote me. It's good to see thoughtful coverage of anime, manga, and fandom in the media; it's a welcome change from earlier decades, as my research in the Fred Patten collection made clear.
ahorbinski: A DJ geisha (historical time is a construct)
This is entirely a postscript, since I have been ridiculously busy the past few months--I was in Tokyo for 10 days last month, and I'll be heading back for another two weeks this Saturday for the Kadokawa Media Mix Summer Program at the University of Tokyo, which is quite exciting.

In the meantime, however, last weekend I had the pleasure of speaking the academic/educational track of AnimeExpo, which was even more enjoyable than 2012. I was on the "Japanese Society and Japan's History" panel, and I spoke about "Record of Dying Days: The Alternate History of Ooku."

Thanks to MIkhail Koulikov for organizing the programming, to AX for hosting, and to everyone who attended! 
ahorbinski: My Marxist-feminist dialectic brings all the boys to the yard.  (marxism + feminism --> posthumanism)
I'll be at WisCon 38 in Madison, Wisconsin, this weekend. I'm on two panels:


Anime in Literature, Literature in Anime
| Sun, 1:00–2:15 pm | Caucus
Moderator: Andrea Horbinski; Emily Horner, Kelly Peterson, Vernieda

The works of writers such as N.K. Jemisin and Alaya Dawn Johnson show a strong influence from anime, and anime such as Haibane Renmei have showed the influence of writers such as Haruki Murakami, while Studio Ghibli made a very famous, and very controversial, adaptation of Howl's Moving Castle. Let's talk about SFF and anime, and how each is changing the other. What aspects of anime could SFF learn from?


Mecha Tropes and Subversions Thereof | participant | Mon, 10:00–11:15 am | Caucus
Moderator: Susan Ramirez; ANONYMOUS, Andrea Horbinski, Shira Lipkin, Oyceter

In a year where the Hugo-nominated Pacific Rim arguably brought mechas into the mainstream, what are our favorite and least favorite mecha tropes? And what are series that take on these tropes, either with full enthusiasm or with interesting twists? Are intensely emotional plots in the very DNA of mecha stories, or are they secondary? Will audiences ever tire of giant robots punching monsters in the face?


See you there!
ahorbinski: A snakes & ladders board.  (struggle & stagger)
I had the privilege of giving a guest lecture on anime, manga, and folktales in Japanese popular culture at the Asian Art Museum as part of the UC Berkeley History-Social Studies Project last summer, and the video is online at the AAM Education site. I'll actually be doing some more work with the AAM this summer, so watch this space for more updates!
ahorbinski: a bridge in the fog (bridge to anywhere)
I haven't had time to mention this until now, but HackFSM ended on April 12, and it was a smashing success! I think it's fair to say that all the organizers, including myself, were blown away by the variety and quality of the entries we received, and that we're very hopeful that this can be a model for many more successful hackathons at Berkeley.

Some links
:
ahorbinski: kanji (kanji)
I passed my qualifying exam this morning. I couldn't be happier. It went great, and I had a great time. With many thanks to my examiners, and to everyone who's provided support this semester--moral, caloric, emotional, etc, etc.
ahorbinski: A snakes & ladders board.  (struggle & stagger)
Bibliographic Data: Faison, Elyssa. Managing Women: Disciplining Labor in Modern Japan. Berkeley: University of California Press, 2007.

Bibliographic Data - Review: Review by: Bill Mihalopoulos, The Journal of Asian Studies Vol. 69, No. 1 (Feb. 2010), pp. 253-55 .

Main Argument: Family + industrialization = patriarchal authority of the father grated onto the state ==> "corporate paternalism" mode of production centered around integrating women into hierarchical relations by disciplining female workers bodily, fixing of cultural standards of womanhood (i.e. women workers treated more as women than as workers). Capital shapes social knowledge as well as the individual; "capital shapes the capacity to communicate and to feel the content of what we think" (254). Method: Marx + Foucault = feminist revolution?

Bibliographic Data: Morris-Suzuki, Tessa. The Technological Transformation of Japan: From the Seventeenth to the Twenty-First Century. Cambridge: Cambridge University Press, 1994.

Technology and development )

Bibliographic Data: Harootunian, Harry D. Overcome By Modernity: History, Culture, and Community in Interwar Japan. Princeton: Princeton University Press, 2000.

Overcoming modernity )

Bibliographic Data: Fogel, Joshua A. Politics and Sinology: The Case of Naito Konan (1866-1934). Cambridge, MA: Harvard University Press, 1984.

Epistemological imperialism )

Bibliographic Data: Ruoff, Kenneth J. Imperial Japan at its Zenith: The Wartime Celebration of the Empire’s 2600th Anniversary. Ithaca: Cornell University Press, 2010.

Imperial pagaentry )

Bibliographic Data: Ruoff, Kenneth J. The People’s Emperor: Democracy and the Japanese Monarchy, 1945-1995. Cambridge, MA: Harvard University Asia Center, 2003.

Popular monarchy )

Bibliographic Data: Kingsberg, Miriam. Moral Nation: Modern Japan and Narcotics in Global History. Berkeley: University of California Press, 2013.

Narco-politics and civilization )
ahorbinski: My Marxist-feminist dialectic brings all the boys to the yard.  (marxism + feminism --> posthumanism)
I'm one of five recipients of the Berkeley Center for New Media's Summer Research Awards this year. Many thanks!
ahorbinski: A snakes & ladders board.  (struggle & stagger)
Bibliographic Data: Crossley, Pamela. A Translucent Mirror: History and Identity in Qing Imperial Ideology. Berkeley, CA: University of California Press, 2002.

Main Argument: "…the monolithic identities of 'Manchu, "Mongol,' and 'Chinese' (Han) are not regarded as fundamentals, sources, or building blocks of the emergent order. In my view these identities are ideological productions of the process of imperial centralization before 1800" (3). The emperorship was constructed as simultaneous and universal, and the various images of the emperor were constructed to speak to various constituencies.

Through a glass darkly )
Bibliographic Data: Perdue, Peter C. China Marches West: The Qing Conquest of Central Eurasia. Cambridge, MA: Harvard University Press, 2010.

Main Argument: The Qing conquests of central Eurasia were a world historical event because:
1) "for the empire's rulers and subjects, these victories fundamentally transformed the scale of their world";
2) "the expansion of the Qing state formed part of a global process in the 17th and 18th centuries. Nearly everywhere, newly centralized, integrated, militarized states pushed their borders outward by military conquest, and settlers, missionaries, and traders followed behind" i.e. 17thC crisis ==≥ 18thC stabilization;
3)
China's expansion marked a turning point in the history of Eurasia. Across the continent, the great empires founded by Central Eurasian conquerors in the wake of the disintegration of the Mongol empire had captured the heartlands of densely settled regions, used the resources of these regions to supply military forces, and pushed back from the heartlands into the core of the continent. When their borders met, they negotiated treaties that drew fixed lines through the steppes, deserts, and oases, leaving no refuge for the mobile peoples of the frontier.

The closing of this great frontier was more significant in world history than the renowned closing of the North American frontier lamented by Frederic Jackson Turner in 1893. It eliminated permanently as a major actor on the historical stage the nomadic pastoralists, who had been the strongest alternative to settled agrarian society since the second millennium BCE. (10-11)

China marches West )
ahorbinski: A snakes & ladders board.  (struggle & stagger)
Bibliographic Data: Waswo, Ann. “The Transformation of Rural Society, 1900-1950.” In The Cambridge History of Japan vol. 6, ed. Peter Duus. Cambridge: Cambridge University Press, 1989: 541-605.

Main Argument: Land reform during the occupation, "though certainly important, was the culmination of slow, evolutionary processes that date from the late nineteenth century" (542). The origins of that process lie in four early Meiji policies: the land tax reform, the reform of local administration, compulsory elementary education and universal military conscription.

Transformation of rural society )

Bibliographic Data: Peattie, Mark R. “The Japanese Colonial Empire, 1895-1945.” In The Cambridge History of Japan vol. 6, ed. Peter Duus. Cambridge: Cambridge University Press, 1989: 217-70.

Main Argument: "Japanese imperialism was more situational than deliberate in origin. The aggressive movement of Japanese forces into Korea, China, and Micronesia was as much due to the absence of effective power to resist it as it was to specific Japanese policies and planning" (223). Also, "the inner logic of Japan's strategic doctrine thus committed the empire to ever-expanding and ever-receding security goals, each colonial acquisition being seen as a 'base' or 'outpost' from which the empire could, in some way, control a sphere of influence over more distant areas" (220).

The colonial empire )
Bibliographic Data: Najita, Tetsuo and Harry Harootunian. "Japanese Revolt Against the West: Political and Cultural Criticism in the Twentieth Century." In The Cambridge History of Japan vol. 6, ed. Peter Duus. Cambridge: Cambridge University Press, 1989: 711-74.

Main Argument:
Many believed that by realizing the best of East and West, Japan had achieved a new cosmopolitan culture. The recognition of having achieved this unprecedented synthesis validated the subsequent belief that Japan was uniquely qualified to assume leadership in Asia, although much of the rhetoric that the writers used referred to the world at large. Whereas an earlier cosmopolitanism promoted the ideal of cultural diversity and equivalence based on the principle of a common humanity, which served also to restrain excessive claims to exceptionalism, the new culturalism of the 1930s proposed that Japan was appointed to lead the world to a higher level of cultural synthesis that surpassed Western modernism itself. (712)
Fascism in Japan )

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ahorbinski: shelves stuffed with books (Default)
Andrea J. Horbinski

August 2017

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