ahorbinski: kanji (kanji)
2015-03-23 07:29 pm

Brief notes on Kajii Jun's Tore, yôchô no jû to pen

This book is probably the first non-fiction Japanese book I ever attempted to read, back when I was on a Fulbright in Kyoto from 2007-08. I was writing about contemporary hypernationalist manga, and Kajii was one of the few writers I could find with my then-resources who talked about wartime manga in depth. I couldn't really read Japanese at the point, but I didn't let that stop me. Seven years later, I read the whole book in a few days, an amount of time which before would have netted me only a few pages, and I can say that part of the problem I had back then is that Kajii's prose is kind of opaque. Unlike Shimizu Isao, he doesn't write in a conversational style, and he uses a lot of uncommon words. So it was still slow going, even now that I'm literate, and it took me about half the book before Kajii's prose style clicked in my mind and I was able to start skimming with more confidence.

I was glad I did go back and read the whole book, because the second chapter in particular caused me to significantly revise my views on Kajii as a critic.Kajii is not rational about Norakuro )
ahorbinski: A snakes & ladders board.  (struggle & stagger)
2015-03-03 08:35 pm

Brief notes on Shimizu Isao's Manga tanjô: Taisho democracy kara no shuppatsu

Shimizu Isao is probably the most famous "manga historian" in Japan, though this book (1999) isn't an academic text, much to my frustration: there are no citations beyond the dates and original publications of the images, and Shimizu displays the usual tics of Japanese scholarly writing that are deeply infuriating to someone trained in the more rigorous American style, especially his habit of making claims about what people thought with absolutely no evidence to back it up, and his habit of going on pointless tangents (such as his talking about his trip to Egypt by way of an introduction to how professional cartoonists portrayed women in the era of imperial democracy).

That said, Shimizu is a giant in the field, and a lot of what he says here (the influence of movies on manga in particular) agrees with things that I have already been thinking and conclusions I have previously drawn from my research. Of course, there's also plenty of things I disagree with him about, most notably in this book his addiction to the empty, outdated term "Taisho democracy" and his conviction that manga has important continuities with the "amusing pictures" of the Edo period. It would be difficult to overstate the degree to which I am opposed to this position, and in my opinion, Shimizu should know better, particularly since he is probably the single most knowledgeable person about prewar comics periodicals anywhere. Oh well.

For further remarks, see the dissertation.
 

ahorbinski: A snakes & ladders board.  (struggle & stagger)
2014-11-30 10:29 pm

Notes on Professor Risley and the Imperial Japanese Troupe

In my quest to gather all of my dissertation notes and outlines into one centrally located place in digitized format, I've come across some interesting things in the depths of my Evernote notebooks. The draft text for my remarks at Fred Schodt's book talk last year is one of the more interesting ones, and I thought I'd share it here.

First of all, I want to thank Fred Schodt for his illuminating talk and for his bringing this fascinating story to light. His new book Professor Risley's Imperial Japanese Troupe (2013) does an excellent job, I think, of telling the story of a hitherto almost forgotten chapter of 19thC Japanese and Euro-American history. As a native New Jerseyan, I especially enjoyed discovering the picaresque tale of one of the more colorful of my state's non-Mob affiliated historical figures.

One of the things that historians like to harp on is the idea that "globalization" isn't anything new to the 20thC, just deeper and broader, and one of the things I really appreciated about Professor Risley and company is how their story, and their international success, demonstrates the extraordinary mobility which a certain segment of self-selected people could, even in the 19thC when we often think of people being more or less shackled to their birthplace or the major metropolitan area nearest to it, partake of to easily circumnavigate the globe multiple times over. We often talk of "flows" of people, ideas, and culture in the age of globalization, and the circus in the 19thC is clearly an early example of that phenomenon. As one of the reviewers quoted in the book wrote, "How quickly what was once unimaginable becomes so simple."

The fact that Risley's Imperials were so successful the world over also indicates that their audiences shared certain similarities beyond their appreciation of the artistry of the "Butterfly Trick." Circus studies has discussed how in the 19thC the circus, and other forms of popular entertainment that Fred touches on briefly in the book such as blackface minstrel shows, functioned to demonstrate and confirm the hierarchies that audiences experienced in their everyday lives--in the case of Professor Risley and the Imperials, for instance, we might think of Self versus Other, native versus foreign, white versus non-white. The fact that Risley and his fellow circus performers were able to so easily traverse the globe, with such minimal real danger, also speaks to the expansion of the European empires that were so concerned with asserting "peace" and "order" in their territories. A hundred years earlier, or a hundred years later, Risley and company would have had a very different experience on these same performance circuits.

From the standpoint of Japanese history, I was particularly interested to see the members of the Imperials as a compelling footnote, or fillip, to the standard narrative of the Meiji Restoration. They intrepidly left the country in 1866 before the malcontent samurai of Satsuchô succeeded in overthrowing the shogun, and by the time the last members of the troupe returned to Japan in the 1870s the Meiji oligarchs were well on the way to transforming the country into a truly modern nation-state. While the Imperials were capitalizing on the performance of "traditional Japanese culture" abroad, the new society the Meiji oligarchs were building at home was increasingly primed to see "traditional Japanese culture" as everything that had to be left behind to survive in the "survival of the fittest" world of 19thC international politics. One of the things I would have loved to hear more about in the book was a longer histories of these performing families, and the history of the development of their specific acts. I wonder, too, whether the Imperials came to know themselves as "Japanese" through their encounters with foreigners first in Yokohama, and then around the world.

The popularity of the circus also touches on another important theme of the 19thC, namely the ascent of the middle class as the social group setting standards and morals for all of society. As Fred mentions, the circus was considered a respectable form of entertainment--which reputation Risley certainly capitalized on in promoting the Imperials as "art" rather than mere "theater." That royalty enjoyed it as much as the bourgeoisie--and that the newspapers covered those reactions--speaks much to the emerging popular culture of news, gossip, and celebrities that we know so well today.

Professor Risley and the Imperial Japanese Troupe
demonstrate that the global fascination with Japanese popular culture didn't begin with anime and manga, and was not solely represented in the 19thC by Japonisme. Their story is a reminder that the world and its history is infinitely more complex than we remember it, and that the 19thC in particular was in many ways, for those fortunate enough to reside in the societies that dominated their fellows, a time of newly expanding and unrivaled potential. With great promotion and an excellent act, Risley and the Imperials were able to take the world by storm in a way that was probably only possible at that moment. Although they have been neglected until now, their story is a reminder that the past can constantly surprise us. 
ahorbinski: A snakes & ladders board.  (struggle & stagger)
2014-04-12 04:51 pm

Book reviews from book reviews: Modern Japan

Bibliographic Data: Faison, Elyssa. Managing Women: Disciplining Labor in Modern Japan. Berkeley: University of California Press, 2007.

Bibliographic Data - Review: Review by: Bill Mihalopoulos, The Journal of Asian Studies Vol. 69, No. 1 (Feb. 2010), pp. 253-55 .

Main Argument: Family + industrialization = patriarchal authority of the father grated onto the state ==> "corporate paternalism" mode of production centered around integrating women into hierarchical relations by disciplining female workers bodily, fixing of cultural standards of womanhood (i.e. women workers treated more as women than as workers). Capital shapes social knowledge as well as the individual; "capital shapes the capacity to communicate and to feel the content of what we think" (254). Method: Marx + Foucault = feminist revolution?

Bibliographic Data: Morris-Suzuki, Tessa. The Technological Transformation of Japan: From the Seventeenth to the Twenty-First Century. Cambridge: Cambridge University Press, 1994.

Technology and development )

Bibliographic Data: Harootunian, Harry D. Overcome By Modernity: History, Culture, and Community in Interwar Japan. Princeton: Princeton University Press, 2000.

Overcoming modernity )

Bibliographic Data: Fogel, Joshua A. Politics and Sinology: The Case of Naito Konan (1866-1934). Cambridge, MA: Harvard University Press, 1984.

Epistemological imperialism )

Bibliographic Data: Ruoff, Kenneth J. Imperial Japan at its Zenith: The Wartime Celebration of the Empire’s 2600th Anniversary. Ithaca: Cornell University Press, 2010.

Imperial pagaentry )

Bibliographic Data: Ruoff, Kenneth J. The People’s Emperor: Democracy and the Japanese Monarchy, 1945-1995. Cambridge, MA: Harvard University Asia Center, 2003.

Popular monarchy )

Bibliographic Data: Kingsberg, Miriam. Moral Nation: Modern Japan and Narcotics in Global History. Berkeley: University of California Press, 2013.

Narco-politics and civilization )
ahorbinski: A snakes & ladders board.  (struggle & stagger)
2014-04-09 03:00 pm

Review: Chapters from the Cambridge History of Japan, vol. 6

Bibliographic Data: Waswo, Ann. “The Transformation of Rural Society, 1900-1950.” In The Cambridge History of Japan vol. 6, ed. Peter Duus. Cambridge: Cambridge University Press, 1989: 541-605.

Main Argument: Land reform during the occupation, "though certainly important, was the culmination of slow, evolutionary processes that date from the late nineteenth century" (542). The origins of that process lie in four early Meiji policies: the land tax reform, the reform of local administration, compulsory elementary education and universal military conscription.

Transformation of rural society )

Bibliographic Data: Peattie, Mark R. “The Japanese Colonial Empire, 1895-1945.” In The Cambridge History of Japan vol. 6, ed. Peter Duus. Cambridge: Cambridge University Press, 1989: 217-70.

Main Argument: "Japanese imperialism was more situational than deliberate in origin. The aggressive movement of Japanese forces into Korea, China, and Micronesia was as much due to the absence of effective power to resist it as it was to specific Japanese policies and planning" (223). Also, "the inner logic of Japan's strategic doctrine thus committed the empire to ever-expanding and ever-receding security goals, each colonial acquisition being seen as a 'base' or 'outpost' from which the empire could, in some way, control a sphere of influence over more distant areas" (220).

The colonial empire )
Bibliographic Data: Najita, Tetsuo and Harry Harootunian. "Japanese Revolt Against the West: Political and Cultural Criticism in the Twentieth Century." In The Cambridge History of Japan vol. 6, ed. Peter Duus. Cambridge: Cambridge University Press, 1989: 711-74.

Main Argument:
Many believed that by realizing the best of East and West, Japan had achieved a new cosmopolitan culture. The recognition of having achieved this unprecedented synthesis validated the subsequent belief that Japan was uniquely qualified to assume leadership in Asia, although much of the rhetoric that the writers used referred to the world at large. Whereas an earlier cosmopolitanism promoted the ideal of cultural diversity and equivalence based on the principle of a common humanity, which served also to restrain excessive claims to exceptionalism, the new culturalism of the 1930s proposed that Japan was appointed to lead the world to a higher level of cultural synthesis that surpassed Western modernism itself. (712)
Fascism in Japan )
ahorbinski: A picture of Charles Darwin captioned "very gradual change" in the style of the Obama 'Hope' poster.  (Darwin is still the man.)
2014-04-05 07:12 pm

Review: Chapters from the Cambridge History of Japan, vol. 5

Bibliographic Data: Vlastos, Stephen. “Opposition Movements in Early Meiji, 1868-1885.” In The Cambridge History of Japan vol. 5, ed. Marius B. Jansen. Cambridge: Cambridge University Press, 1989: 367-431.

Main Argument: Why did the oligarchs prevail? "Put simply, they made tactical concessions that reduced the friction between the emerging middle class and the state but crushed movements by socially marginal classes" (426). Also contextual factors: no new impositions from Western imperial powers in the 1870s; opposition movements arose sequentially rather than simultaneously. Even more importantly, "the Meiji reforms destroyed traditional structures of collective action that, if they had remained in place, would have permitted far broader mobilization against the programs of the Meiji government" (431).

Popular dissent )

Bibliographic Data: Iriye, Akira. “Japan’s Drive to Great-Power Status.” In The Cambridge History of Japan vol. 5, ed. Marius B. Jansen et al. Cambridge: Cambridge University Press, 1989: 721-82.

Main Argument: Iriye argues that two things distinguished Japan from its fellow rising modern nation-states: "the emperor system and the military's 'right of supreme command'" (731). He argues that the prestige of the imperial institution gave the Meiji government instant legitimacy, and the fact that the military reported only to the emperor gave it free rein. In other respects, however, "Japanese behavior fitted into the general pattern of the modern Western states" (764). Iriye insists throughout that Japanese imperialism cannot be understood irrespective of its domestic context, partly because "the majority of Japan's leaders and public opinion assumed that all viable modern states were also imperialist" (782).

Why empire? )
Bibliographic Data: Pyle, Kenneth. "Meiji Conservatism." In The Cambridge History of Japan vol. 5, ed. Marius B. Jansen et al. Cambridge: Cambridge University Press, 1989: 674-720.

Argument, Sources, Examples Meiji conservatism was formulated in response to the Japanese Enlightenment, and in particular several of its themes: 1) "negative view of Japan's traditional institutions and the learning that underlay them" (676); 2) stress on "the cultural example of the West" (677); 3) "wholehearted commitment to science, technology, and utilitarian knowledge"; 4) "a new view of humanity with revolutionary implications for society and the state" (678). For the conservatives, the immediate problem was how to anchor traditionalist values: was it confidence in their universal validity, in terms of the new rationalist thought, or was it in a nationalist justification? By the 1890s, Japanese conservatism had become suffused with cultural nationalism, culminating in the jubilation surrounding the Sino-Japanese War. The oligarchs turned to the conservative reform tradition of German thought, since they "needed to find ways to avoid the severe antagonism in society that would undermine the effort to achieve their national goals" (698) and also not coincidentally to legitimate the new order in terms other than natural rights philosophy: thus, the imperial constitution and the emperor-centered state. Economic and industrial policy were also fomented with a clear eye to forestalling social problems (read: Marxism), drawing on the experiences of the West and heavily influenced by Bismarckian ideas. The counterpart of this was a program of conservative reform in the countryside, which Pyle describes as a "pragmatic effort of Japanese conservatives to make limited reforms within a nationalist framework as a means of cushioning society from the traumatic effects of the industrial revolution" and to promote both economic development and social harmony (712). By the end of Meiji, the liberals were in disarray and the conservative reaction had triumphed, because, according to Pyle, "the main themes of the bunmei kaika had lacked a strong social constituency to defend them" (717). Its new social values went against Japanese mores and "above all, were incompatible with the institutions of the countryside where the great majority of the populace had its roots" (717-18), and finally, by the turn of the C20, the West had lost its status as unthinking exemplar. Although the bureaucracy's two fold strategy of pressing for social reforms and relying on local groups to propagate the desired collectivist ethic, overall, "Meiji conservatism methods set a pattern for handling the problems of industrial society that tended under these circumstances to lead to more and more extreme measures" (720).

Further Reading: Bowen, Rebellion and Democracy in Meiji Japan; Gluck, Japan's Modern Myths; Kim, The Age of Visions and Arguments; Fujitani, Race for Empire; Beasley, Japanese Imperialism
ahorbinski: The five elements theory in the style of the periodic table of the elements.  (teach the controversy)
2014-04-03 12:12 pm

Book review: Colonizing Sex

Bibliographic Data: Frühstück, Sabine. Colonizing Sex: Sexology and Social Control in Modern Japan. Berkeley: University of California Press, 2003.

Main Argument: Frühstück is looking at the history of sexuality and sexual knowledge in modern Japan, the revolutions in which she sees as part of a process of colonization. She looks partly at "the obsession with the 'truth about sex' and the use of the phrase as a discursive tool" in contrast to other studies on similar topics, and argues that "as much as negotiations over a modern understanding of sexuality in Japan intersected with concepts of nation and empire building and overlapped with debates about the nature of Japanese culture and the project of modernity, they also functioned to increase the premium placed on scientific-mindedness" (5). Ultimately, this process of colonization produced modern subjects whose sexualities were regulated and disciplined via state power and who thus were proper constituents of the body politic.

Historiographical Engagement: Garon, Molding Japanese Minds

Colonizing sex, somehow )

Critical assessment: This book is fine, but I actually disagree with Tom Laqueur that it is a better book than Pflugfelder's. Frühstück is bad at organizing her chapters and she never actually says what she means by the "colonization of sex." Moreover, unlike Pflugfelder, Frühstück lacks a theory of discourse through which to interpret her conclusions; she has Bourdieu and Foucault, but they are apparently not enough for her to talk about how sex was being constructed explicitly (which is not quite the same complaint as the preceding sentence? or possibly it is). I feel like a European blundering through premodern Cairo--there's no system, no place from which to secure a vantage point and observe.

Further reading: Pflugfelder, Cartographies of Desire; Mitchell, Colonizing Egypt; Masters of Sex
ahorbinski: Tomoe Gozen is so badass she glued her OTW mug to her wrist.  (tomoe gozen would haved loved the OTW)
2014-03-31 09:20 pm

Review: Medieval Japan articles

Bibliographic Data: Tonomura, Hitomi. “Black Hair and Red Trousers: Gendering the Flesh in Medieval Japan.” The American Historical Review 99:1 (February 1, 1994): 129–154.

Main Argument: Tonomura is looking at the Konjaku monogatari to provide "analysis of the kinds of social scripts that probably influenced the perceptions of gendered relations, especially in areas of sexual practices and sexuality" (132). In other words, she is reading these tales to detect traces of the process by which patriarchy was instantiated in Japan over the course of several centuries, in effect trying to diagnose where that process was at in the early (12thC) medieval period.

Argument, Sources, Examples Although the KM stories are more even-handed in their treatment of gender relations, gendered bodies, and sexual mores than might be thought, Tonomura notes that "the compiler's comments attached to the narratives frequently reduce women to an essentialized category and set up boundaries within which female sexuality must remain" (133). Marriage is still an amorphous institution, and was not necessarily male-centered; at this time there was also apparently no concept of rape as a crime, not even against a woman's male family members, let alone against the woman herself; when assaults occur, the crime is in how the victim's clothes (symbolic of her social position) are treated. Similarly, there is no concept of adultery, and the impropriety of men "taking" women is directly related to their class; "high-ranking aristocratic men seem incapable of violating women" (152). At the same time, patriarchy is visible in the fact that male characters' faults are theirs alone while the faults of female characters engender pontificating on the flawed nature of women. Even this is not a complete process, however, as Tonomura notes; "in these tales, 'the feminine' is problematized and sometimes negatively coded, but it is not yet established as a consistent, uniform, and stable category" (138). Although there is no discourse of virginity or purity, it is noteworthy that men are desirable in toto while the desirable female body is discussed in parts. Relatedly, Tonomura observes that "a sense of collective male identity is reinforced through the sharing of a common male culture centered on the penis," surely the ancestor of the phallocentric culture of the Edo period (144). Indeed, phallocentrism is already visible in the fact that "the text privileges the male sex organ and makes it the cornerstone of a sexual system for both sexes," meaning that "female desire and pleasure disconnected from men fall outside the range of epistemological possibilities" (148). And while men's bodies share in the collapse of power and vulnerability in the genitalia that female characters also experience, "female bodies are inscribed with clearly chaining values and significance according to their age," and they serve, when decomposing "as a pedagogical symbol, a medium through which to convey the Buddhist messages of impermanence" (144, 145). Similarly, female desires are internally generated while men are lured into desire by women; conveniently enough, desire for women "can be a gateway to greater achievement in the Way of the Buddha" (147). Tonomura concludes that
Women in the Konjaku, however, are burdened with the task of managing both their own sexuality and men's basic instincts, not because women are associated with reason but because they have the power to entice men. Consequently, cultural construction rests heavily on the female's shoulders, complicating the anthropological metanarrative that equates men with culture and women with nature. (154)

Bibliographic Data: Colcutt, Martin. “The Zen Monastery in Kamakura Society.” In Court and Bakufu in Japan: Essays in Kamakura History, ed. Jeffrey P. Mass. Stanford: Stanford University Press, 1995 [1982]: 191-220.

Main Argument: This paper attempts to elucidate the cause of Zen's meteoric rise in Japan in the Kamakura period "by focusing on the sponsorship of Rinzai Zen, especially the monasteries of Kenchôji and Engakuji" (192). That patronage was mainly from the warrior elite for several reasons relating to their new position vis-a-vis old power holders such as the temple complexes and the imperial court, but it is important to note that their interest was not purely in enlightenment: Zen was attractive partly because it was controllable, and warrior elites did not patronize it exclusively.

Argument, Sources, Examples In terms of the question of who patronized Zen in the Kamakura period, "it is difficult to avoid the conclusion that its growth in Japan was due largely to sponsorship by the elite: the Hôjô and the powerful warriors heading the Kamakura Bakufu, the upper echelons of provincial warrior society, and emperors and members of the Imperial Court," partly because Zen studies demanded a high degree of education (199), especially initially. Why? Zen was socially stable (i.e. its adherents had no complaints against the current political order), and for the Hôjô and the warrior elite, its very newness (i.e. not entwined with older aristocratic power structures) was also favorable. It also offered greater chances for advancement to the scions of those warrior elite than did the established temple complexes. Finally, it was a conduit for the transmission of the culture of the Song literati, the mastery of which could also give warriors cultural cachet equal to the members of the aristocracy. And because the Zen monasteries adopted wholesale the highly developed administrative systems of Chan monasteries in China, they were able to make effective use of the rights within the shôen system that their official patrons procured for them.

Bibliographic Data: Mass, Jeffrey P. “Jitō Land Possession in the Thirteenth Century: The Case of Shitaji Chūbun.” In Medieval Japan: Essays in Institutional History, edited by John W. Hall and Jeffrey P. Mass. Stanford: Stanford University Press, 1988 [1974]: 157-83.

Main Argument: "…beginning in the 1180s the country's non-military absentee proprietors ere forced to absorb into their estates management-level warrior-officers over whom they had no direct control. It was this immunity of the jitô as a vassal of Kamakura that set the stage for the thirteenth century's endemic central-local struggles over land" (157).

Argument, Sources, Examples There were two types of jitô: "those who were longtime residents in their appointment areas, and those who were newly intruded from the outside" (157). Many "confirmatory" jitô were local myôshu who had been invested as "shôen officers" (shôshi); at the same time, most of the great warrior families of the East held their lands outside the shôen system of immunities and so were willing to participate in the bakufu's new system of stewardship, which did confer immunity. In the West, however, things were different; "the basic clash of interests that highlights the 13thC thus became one between Kantô-born jitô and central proprietors of western province estates" (160), often in the form of their personally appointed azukari dokoro, a kind of local deputy. This led to a situation in which "the traditional hierarchy of more or less vertical tenures had now flattened out and divided into two roughly parallel tracks of authority" (163). By the middle of the 13thC, the Kyoto proprietors were on the defensive, evolving such practices as wayo (compromise) and ukesho (receipt guarantees) to try to stanch the bleeding, with the ultimate effect that central powers of proprietorship began to devolve back to the land. Shitaji chûbun, estate division, was a last-ditch strategy to fend off jitô predations. When divisions did occur, moreover, they often did so synthetically rather than naturally, as the shôen as a unit was resistant to such easy territorial breakup. By the end of the 14thC, shugo had totally displaced proprietors and jitô as the final authority at the provincial level, rendering shitaji chûbun obsolete. Sources: Documents. All the documents.

Bibliographic Data: Shapinsky, Peter D. “With the Sea as Their Domain: Pirates and Maritime Lordship in Medieval Japan.” In Seascapes: Maritime Histories, Littoral Cultures, and Transoceanic Exchanges, ed.y Jerry H. Bentley, Renate Bridenthal, and Kären Wigen. Honolulu: University of Hawai’i Press, 2003: 221-38.

Main Argument: Shapinsky argues that the "sea lords" of the 15th and 16thC "became integral elements of the 16thC Japanese political and economic order and came to play a vital role in the functioning of the maritime networks of violence and exchange that connected Japan to the wider East Asian maritime world" (224). These sea lords did so by exercising "sea tenure," namely "control over access to the sea and the tools of maritime production such as ships, salterns, and fishing gear" (223). However, they did so in competition with traditional land-based authorities, with the result that "modes of sea tenure thus included both the regulations of state-level entities and the customary practices of local littoral inhabitants" (ibid).

Argument, Sources, Examples Shapinsky argues that the "terracentric" biases of historians and sources have heretofore masked the activity of sea lord-bands in lord-vassal binaries, but that a better rubric is patron-client relationships, which "allows the historian to represent both the autonomy and agency of the sea-lord bands and the land-based patrons' expectations for loyal service" (226). Sea lords thus appropriated and manipulated land-based discourse to gain recognition of their status as equal to that of warrior elites. It is important to recognize that the activities of sea lords were enabled by the disintegration of traditional political authority in the archipelago at the same time as a medieval commercial revolution occurred, rendering the sea a vastly faster and more reliable means of transporting goods and conducting commerce. Sea lords took advantage of this fact to profitably exercise sea tenure: among other activities, they set up fortified toll barriers at various maritime chokepoints and charged tolls to pass; they charged for escort by members of bands or by ships; they charged for safe passage; and in the final half of the 16thC, they sold safe passage flags outright, as their authority at sea eclipsed even that of the unifiers. These practices were productive for commerce as well as predatory. After 1600, however, the new national government brought them to heel, and their day passed.

Bibliographic Data: Nagahara Keiji. “Landownership under the Shōen-Kokugaryō System.” Journal of Japanese Studies 1:2 (April 1, 1975): 269–96.

Main Argument: The shôen-kokugaryô system began to emerge from the ritsuryô system in the 11thC as a multi-layered system of ownership over land. By the C13, difficulties in maintaining cadastral surveys meant that more and more "public" paddies fell into private hands, becoming the basis for peasant landownership. "The multi-layered shiki formed the basis of positions and of rights for both the higher level proprietary lords and the lower level proprietary lords in shôen and in kokugaryô" (287). Under this system, higher level proprietary lords received the lion's share of the profits. Shiki, however, were distributed geographically and did not confer the power to command persons, indicating their limited development. Under this system, however, peasants held cultivation rather than landowning rights, reflecting their underdevelopment, mirroring that of local lords; thus, the shiki were supported by the authority of the central government during this period. The system foundered because local proprietary lords grew in power, because peasant landholding rights strengthened, and the shiki system disintegrated.
ahorbinski: My Marxist-feminist dialectic brings all the boys to the yard.  (marxism + feminism --> posthumanism)
2014-03-30 09:05 pm

Review: Article hodgepodge (theme: digital)

Bibliographic Data: Allison, Anne. “The Cool Brand, Affective Activism, and Japanese Youth." Theory, Culture & Society 26 (2009): 89-111.

Main Argument: The rhetoric of "J-Cool" signifies a transformation in the Japanese economy and in Japanese and society, masking a double phenomenon in discourse: "when a construct of youth sells commodities, it is claimed as 'gross national cool.' But when real youth fail to get steady jobs or reproduce, as did their parents, they are castigated for not assuring Japan's future–what gets rendered as a crisis in reproduction" (91). Allison argues that immaterial labor, which comprises two forms ("labor that is primarily intellectual or computational, involving symbols, ideas and codes" and "affective labor that engages affects such as well-being excitement and ease") in its affective form is epitomized by J-Cool. But the new form of capitalism--informational capitalism--that immaterial labor exemplifies and that is hegemonic in the 21st century is deconstructive and destructive of previously solid constructs such as the family and the social safety net, leaving youth in Japan (and all over the world) in an increasingly precaritized position. Allison looks at youth activism in Japan and argues that affective labor can also be thought as "biopower from below;" precisely because affective labor involves the stuff of being human (vita breva aka ὀ βἰος, not just vita nuda aka ἠ ζωἠ), affective labor can allow citizens to forge connections among atomized individuals that can replace and supplement the caring deficit which characterizes society in the C21.

Critical assessment: This is, frankly, a much better work than Millennial Monsters, which was far too anthropological and far too seduced by culturalist explanations. Here, Allison correctly follows the breadcrumbs to capitalism and its discontents, and does a much better job of illuminating the promises and potentials of things like Pokémon and the youth who consume them and who constitute Japan's (and the world's) precariat.

Bibliographic Data: Haraway, Donna. "A Cyborg Manifesto: Science, technology, and socialist-feminism in the late twentieth century." The cybercultures reader (2000): 291-324.

Main Argument: Haraway argues for a "cyborg feminism" that will be provisional, ironic, political, postmodern, non-totalizing, and makes two arguments:
…first, the production of universal, totalizing theory is a major mistake that misses most of reality, probably always, but certainly now; and second, taking responsibility for the social relations of science and technology means refusing an anti-science metaphysics, a demonology of technology, and so means embracing the skillful tasks of reconstructing the boundaries of daily life, in partial connection with others, in communication with all of our parts. It is not just that science and technology are possible means of great human satisfaction, as well as a matrix of complex dominations. Cyborg imagery can suggest a way out of the maze of dualisms in which we have explained our bodies and our tools to ourselves. This is a dream not of a common language, but of a powerful infidel heteroglossia. It is an imagination of a feminist speaking in tongues to strike fear into the circuits of the supersavers of the new right. It means both building and destroying machines, identities, categories, relationships, space stories. Though both are bound in the spiral dance, I would rather be a cyborg than a goddess. (316)

Bibliographic Data: Svensson, Patrik. “The Landscape of Digital Humanities.” Digital Humanities Quarterly, vol 4, no. 1 (2010).

Main Argument: Svensson lays out the current landscape of the digital humanities--its tensions, and some of its divides (i.e. between humanities computing versus digital humanities, between assimilation and distinction)--and considers the digital humanities via various paradigmatic modes of engagement between the humanities and information technology, namely as a tool, a study object, an expressive medium, an exploratory laboratory, and an activist venue: "the mapping activity itself is as important as the resultant patchy map, however, and it is argued that the challenges and possibilities ahead call for a shared awareness and rich collaborations across the landscape of the digital humanities" (11). A new distinction that Svensson identifies is the growth of the term "digital humanist(s)," which are apparently "more commonly used in relation to the digital as tool (and the humanities computing tradition) than the digital as study object;" furthermore, "people in the digital humanities may seem to have a stronger sense of the humanities as a conostucrt and as a whole since they often operate across several disciplines and since their position and identity are more strongly linked to the humanities at large" (53). In sum, "the current landscape is multifaceted and characterized by a range of epistemic traditions and modes of engagement, and while there is a great deal of overlap and common interests, there is also a need of increased shared awareness" (176).
ahorbinski: A DJ geisha (historical time is a construct)
2014-03-22 12:00 pm

Book review: Bad Youth

Bibliographic Data: Ambaras, David Richard. Bad Youth: Juvenile Delinquency and the Politics of Everyday Life in Modern Japan. Berkeley: University of California Press, 2006.

Main Argument:
If delinquency symbolized the dangers of uncontrolled social change and the defects of existing social arrangements, champions of juvenile reform and juvenile protection envisioned an orderly, productive Japan that could master the challenges of the modern era, from industrialization to imperialist expansion to total war. The ideas of these reformers, and the thick, intrusive network of socialization agencies that they constructed, have to this day played a critical role in shaping Japanese experiences of home, school, work, and play, and in fostering the culture of discipline and social vigilance for which contemporary Japan is internationally known. (2)

Historiographical Engagement: Lots of sociologists and Japanese historians

The kids are(n't) all right )

Critical assessment: This is a well-written, thoughtful study that does what it says on the tin and illuminates one of the most pervasive aspects of modern Japanese society very effectively along the way. I am also very grateful for Ambaras' attempts to recover the politics of everyday life and the reactions of those subjects of these regimes to their workings, even if the evidence is sparse in some respects and he cannot offer a fully polyvocal history.

Further reading: Silverberg, Erotic Grotesque Nonsense; Kingsberg, Moral Nation; Jones, Developmental Fairy Tales; Pflugfelder, Cartographies of Desire
ahorbinski: shelves stuffed with books (Default)
2014-03-20 02:18 pm

Book review: An Imperial Path to Modernity

Bibliographic Data: Han, Jung-sun N. An Imperial Path to Modernity: Yoshino Sakuzo and a New Liberal Order in East Asia, 1905-1937. Cambridge, MA: Harvard University Press, 2012.

Main Argument: This study argues that
Perceiving the tacit relationship between liberalism and the imperialist order, the Japanese chose to conform to liberal ideas and institutions to direct Japan's transformation into an imperialist power in Asia. … Trying to sustain and rationalize the imperial project, Japanese liberals actively sought to make the domestic political stage less hostile to liberal ideas and practices by appealing to the interests of the new middle class. The press was their main instrument of power. Facilitating the creation of print-mediated public opinion, liberal intellectuals attempted to enlist the new middle class as a social ally in circulating liberal ideas and practices within Japan and throughout the empire. (6, 7)

Historiographical Engagement: Najita, Hara Kei; Gordon, Imperial Democracy; Barshay, State and Intellectual; Duus, Party Rivalry and Political Change; Fromkin, The Peace to End All Peace

Liberal elitism in imperial Japan )

Critical assessment: This book has several related problems that are all features of its single overarching problem, which is that it never articulates its central intellectual problem and why it matters. As Professor Berry would say, it lacks gravitas, and particularly compared to a book like State and Intellectual in Modern Japan, it's kind of bloodless--as a certain wise scholar said to me, there's never a sense of why people in general thought of Yoshino as the great Japanese democratic hope, so ironically given her remarks in the introduction, Han winds up reiterating the elitism that other scholars have identified in the "liberals" of late Meiji and Taisho. She also never explains why Royama Masamichi is the person to follow of of Yoshino's circle, or to what extent all this theorizing of the cooperative community had any impact on the people who were setting it up, and setting it up to run itself into the ground. There are some good points in here, but they all need to be expanded by a significant percentage, in my opinion. In other words, this is a missed opportunity.

Further reading: Fogel, Politics and Sinology; Jones, Developmental Fairy Tales

Meta notes: But no really, why do we care? The book needs to tell us this.
ahorbinski: A picture of Charles Darwin captioned "very gradual change" in the style of the Obama 'Hope' poster.  (Darwin is still the man.)
2014-03-19 10:14 am

Book review: Agrarian Origins

Bibliographic Data: Smith, Thomas C. The Agrarian Origins of Modern Japan. Stanford: Stanford University Press, 1959.

Main Argument: In the Tokugawa period across Japan, cooperative farming was displaced by individual family arming, and the individual family "clearly emerged as the center of production organization and economic interest" (ix). The most important cause of this was the growth of the market, which was disruptive. In general, these changes show that Japanese agriculture is dynamic, not sempiternally fixed, and that changes in farming during the Tokugawa period were the very opposite of regressive.

Agrarian Origins of Modern Japan )

Critical assessment: Tom Smith, ladies and gentlemen. Tom Smith. Fifty-five years on and this book has barely aged--some of the details are sketchy, and see my comments for the question of rural immiseration in the Meiji period and after, but all in all, working mostly from sketchy and unevenly published documents cited in other people's works, he laid it out, and got it right.

Further reading: Vlastos, Peasant Protests and Uprisings in Tokugawa Japan; Smith, Nakahara; Smith, Native Sources of Japanese Industrialization
ahorbinski: A DJ geisha (historical time is a construct)
2014-03-15 11:18 am

Book review: Millennial Monsters

Bibliographic Data: Allison, Anne. Millennial Monsters: Japanese Toys and the Global Imagination. Berkeley: University of California Press, 2006.

Main Argument: Allison argues that several things were different about the "J-cool" boom that began in the 1990s, beginning with the fact that it had a far greater level of influence on the U.S. marketplace than did previous Japanese cultural imports. Allison believes that fantasy, capitalism, and globalism are conjoined and (re)configured in Japanese media mix properties [the term is anachronistic to her book], and that the "polymorphously perverse" play they engender (and embody) is key to their appeal--both at the level of practice and at the level of the media mix itself.

Pokemon, Power Rangers, Sailor Moon, tamagotchi )

Critical assessment: I would have liked this book much better if I had read it before I read Marc Steinberg's book, which I think offers a much better grasp on much of the same territory. Admission: that is because I am not an anthropologist, and because I am allergic to culture as a primary causal factor in anything for reasons that don't need exploring at this juncture but which can be symbolized by the assertion that culture changes damn quick when people want it to. The "techno-animism" argument, frankly, I think is better explained by simply saying that Japan moved into a new mode of capitalism before other countries; this is Latour's "parliament of things" in a capitalist inflection. But also, I don't like Freud, and Allison is very much a Freudian, albeit in a feminist inflection. Sidenote: WTF is with feminists liking Freud? Freud does not like you, ladies! Freud does not even believe that queerness exists! Vomit. That said, once Allison gets away from all that and into her analysis of capitalism, I think she's basically on the money, albeit in a different and frankly somewhat dated idiom. A worthwhile book, for sure, but very much not the whole story.

Further reading: Steinberg, Anime's Media Mix; The LEGO Movie

Meta notes: Gotta catch 'em all! Also, what does "New Age" even mean anymore?
ahorbinski: A DJ geisha (historical time is a construct)
2014-03-14 08:45 pm

Book review: Fabricating Consumers

Bibliographic Data: Gordon, Andrew. Fabricating Consumers: The Sewing Machine in Modern Japan. Berkeley: University of California Press, 2012.

Main Argument: "Put to manifold uses with varied meanings, both a tool of home-based production and a high-status object of consumer desire, the sewing machine and its sojourn track the emergence and then the ascendance of the middle class as cultural ideal and social formation, along with the emergence of the female consumer and professional home manager as defining figures in Japanese modern times" (9).

Fabricating consumers )

Conclusion: Argument, Sources, Examples Gordon reviews his earlier arguments; it is important to note again that "with the birth of the salesman came the birth of the consumer, in Japan as around the world," and that "in the cultural life of the consuming subject or citizen, one sees in Japan as elsewhere a two-sided modernity projected at and anchored in the imagination of a new middle class" (216, 217). In Japan as elsewhere, the sewing machine had many similar effects, including its role affirming the social order and bridging class differences. Gordon finds that local differences in Japan include "the figure of the woman managing home finance with professional attention, struggling to rein in her spendthrift husband's binging on credit tickets, to be a singular one, linked to the singularly enduring influence in high-growth, postwar Japan of the ideal of the professional housewife," and that the preponderance of home sewing in Japan is also a salient difference linked to the survival of that same housewife ideal (223).

Critical assessment: Another excellent book from Gordon, and a welcome focus on women as agents in their own historical stories and in the story of Japan's economic history. He really is an excellent writer, although the press copy editor was asleep at the switch on this one.

Further reading: Skud: Why Is It So Difficult to Make Your Own Clothes?; Mimura, Planning for Empire; Atkins, Blue Nippon
ahorbinski: The five elements theory in the style of the periodic table of the elements.  (teach the controversy)
2014-03-09 02:41 pm

Book review: Peasant Protests and Uprisings in Tokugawa Japan

Bibliographic Data: Vlastos, Stephen. Peasant Protests and Uprisings in Tokugawa Japan. Berkeley: University of California Press, 1986.

Main Argument: In early modern Japan peasant protest was ubiquitous, which is less attributable to the oppressiveness of the Tokugawa order than to the fact that "the internal organization of the peasant class and its position within the Tokugawa polity were highly conducive to collective action," particular the Tokugawa status system and the fact that villages were independent administrative units which were collectively responsible for tax payments (11). Vlastos is, by his own admission, "less interested in what set of conditions 'caused' peasants to protest than in the nature, form, and content of the movements" and in "the structure of conflict and what it can tell us about class relations," since he assumes (correctly) that conflict between lord and peasant was the central tension of the system (5).

Peasants and protests )
Critical assessment: NB: Vlastos is heavily influenced by the earlier generations' assumptions about "Tokugawa stability," reports of which to my mind have been somewhat exaggerated. I think this book is too short, but the structure is also too long? It does not need eight chapters, and frankly, a lot of these points were covered more perceptively by Mark Ravina 10 years later. (See Further Reading, below.)

Further reading: Ravina, Land and Lordship in Early Modern Japan; Wigen, The Making of a Japanese Periphery

Meta notes: The weapons of the weak are weapons all the same.
ahorbinski: A snakes & ladders board.  (struggle & stagger)
2014-03-08 11:10 am

Book review: Land and Lordship in Early Modern Japan

Bibliographic Data: Ravina, Mark. Land and Lordship in Early Modern Japan. Stanford: Stanford University Press, 1999.

Main Argument: There was "a simple fact of early modern politics" in Japan: "the shogunate was peripheral to broad areas of political practice" (2). Furthermore, for a lord, "the moral and economic rejuvenation of his domain" were "the areas where shogunal control and oversight were weakest," at least in the case of the so-called "kunimochi" domains, which were granted a degree of autonomy and prestige not available to most of the 240-odd other daimyo. It is no coincidence that four kunimochi domains (Satsuma, Chôshû, Tosa, and Saga) overthrew the shogunate, but the fact that so many domains were passive in the Restoration points to the federal nature of the system: having ceded diplomatic and "foreign policy" prerogatives to Edo, "daimyo were both fiercely protective of local autonomy and dependent on their union [with Edo] for survival" (15). This "federal" union was the first and indeed the necessary casualty of the Meiji Restoration.

Three domains, three stories )

Critical assessment: This is an excellent book, and I cannot overstate the degree to which I agree with Ravina's final conclusions.

Further reading: Wigen, The Making of a Japanese Periphery

Meta notes: I cannot overstate the degree to which the United States are is weird historically. The proper comparands for Japan are not the United States but the countries of Europe.
ahorbinski: A snakes & ladders board.  (struggle & stagger)
2014-03-07 09:01 am

Book review: Hara Kei in the Politics of Compromise

Bibliographic Data: Najita, Tetsuo. Hara Kei in the Politics of Compromise, 1905-1915. Cambridge: Harvard University Press, 1967.

Main Argument:
…the growth of the parties in Japan was the result of a crucial transformation among party men from an ideological to a strategical orientation; or, from an attitude of uncompromising opposition to the government based on the ideal of a single, unified, popular party (mintô gôdô) to that of realistic compromises within the government structure. In particular the successes of one party, the Seiyûkai, under Hara Kei, in pursuing this course of action were decisive in steering party politics in Japan away from multiparties toward two major competing party alignments. (xii)

Historiographical Engagement: Mostly the question of the end of "Taisho democracy," in Japanese

Preface: Argument, Sources, Examples Najita argues that at the time he was writing (47 years ago!), studies of the party era in prewar Japanese politics were generally captive to two fallacies: 1) giving too much weight to documentary evidence written "through the eyes of these idealists who believed that compromises within the political order indicated submission to 'absolutism' and that those in power could be quickly and decisively overthrown (daha) if the parties remained firmly united"; and 2) "to see the parties as the major cause for the political dislocations underlying Japan's steady drift in the 1930s toward a disastrous war" (ix, x). Hence, according to Najita, "an analytical distinction must be made between first, the sustained struggle by the parties (which, while no doubt causing political discontent along the way, changed their status from groups of marginal significance into powerful elites in the government) and second, those driving forces accompanying rapid modernization which generated political dislocations of the sort described by Maruyama. …the casual lines between the two should be treated with considerable care" [if, indeed, they exist at all] (xi).

Important points
# Hara effected a transformation in the regional political structure "from the system of 'self-government' [sic] planned by Yamagata into a pervasive, party-oriented interest structure" (78)
# By the so-called "Taisho political crisis" in 1913, "the systematic expansion of Seiyûkai power had resulted in the steady erosion of the bases of the ruling cliques" and had "made a multiparty system in Japan a practical impossibility" (121)
# Katsura forming the Dôshikai in January 1913 was a direct reaction to the Seiyûkai's power and brought about an end to the Hara/Katsura compromise that "had dominated politics since 1905, an alliance that had provided a working relationship between the major centers of power--the House of Peers, the Lower House, and the bureaucracy--and had stymied the growth of a second party" (140)
# The reforms that were enacted under the Yamamoto cabinet of 1913 were a triumph for the "politics of compromise" in that they struck down barriers to party government and reduced the influence of the Yamagata faction
# The Seiyûkai created its enemies by stimulating the growth of a rival anti-Seiyû coalition

Conclusion: Argument, Sources, Examples Najita argues, among other things, that "by enhancing its power the Seiyûkai, in fact, from 1905 on, prevented this Meiji elite from perpetuating itself and the style of rule commonly called transcendental government" (215). He also argues that the parties' ties with the general public were "tenuous and vague" and that the elite politicians of the parties distrusted the masses and viewed them solely instrumentally (214). In summary, "the crisis of 1912-1913 dramatically reaffirmed the overall trend of parties to move steadily into the mainstream of power relationships in the Meiji constitutional order" and "the politics of compromise was [sic] intended to overcome the structural disadvantages of the Meiji political order and the Yamagata faction imbedded in it" (219).

Critical assessment: Shockingly enough, dear readers, I don't actually think that the achievement(s) of imperial democracy can be laid solely at the feet of one Hara Kei, who was if nothing else a smooth operator--indeed, he seems rather like Itô Hirobumi in this regard, with the important difference that Itô eschewed creating a faction or a reliable patronage network and Hara lived for politics and for attaining political power. We might also add that both of them were nonetheless assassinated on railway platforms; make of that what you will. More fundamentally, I think Najita is wrong about what happened in the 1930s (see Young and Gordon, below) and I think that he recommits the mistake of the elite party politicians themselves by seeing in the riots of the era of agitation for imperial democracy (1905-18) as apolitical, uninformed rabble-rousing. I leave filling in the details of my objections to that view as an exercise for the reader.

Further reading: Gordon, Imperial Democracy; Louise Young, Japan's Total Empire

Meta notes: It's not (only) politicians who make history.
ahorbinski: The five elements theory in the style of the periodic table of the elements.  (teach the controversy)
2014-03-06 02:05 pm

Book review: Shinto & the State

Bibliographic Data: Hardacre, Helen. Shinto and the State, 1868-1988. Princeton: Princeton University Press, 1989.

Main Argument: Hardacre argues that 1) state Shinto was largely an invented tradition and 2) that it was a radical departure from "anything in the country's previous religious history" (4). Attempting to "explore the significance for popular religious life of the state's involvement in Shinto between 1868 and 1945," Hardacre finds that "it is here that we see the expanding influence of the periphery over the center and the decreasing distance between the two relative to the situation in pre-Meiji Japan" (7).

Historiographical Engagement: Lots of shrine records.

State Shinto and after )

Critical assessment: This book does what it says on the tin, and for that reason it's no surprise that everybody cites it. Hardacre is not an inspired analyst, but she gets the job done.

Further reading: Fujitani, Splendid Monarchy; Gluck, Japan's Modern Myths

Meta notes: Given that Hardacre analyzes Shinto from within the paradigm of "religion" that was not native to Japan before 1853, and which Shinto priests continued to resist, I do wonder about the question of reflexivity.
ahorbinski: Emma Goldman, anarchist (play the red queen's game)
2014-03-05 10:56 am

Book review: Rebellion & Democracy in Meiji Japan

Bibliographic Data: Bowen, Roger W. Rebellion and Democracy in Meiji Japan: A Study of Commoners in the Popular Rights Movement. Berkeley: University of California Press, 1980.

Main Argument: This study attempts to take the people who participated in the violent incidents (gekka jiken) of the Freedom & Popular Rights era seriously, arguing that they "were rebellions, not only in the sense that their goal was 'liberation' from certain economic and political injustices, but also in the sense that they were less than revolutionary in effect (as opposed to intent), or, from another perspective, they were revolutions which failed in the attempt to establish a 'foundation of freedom'" (5).

Freedom & Popular Rights )

Critical assessment: This is a massive book, perhaps needlessly so, but it's quite good, particularly considering the period in which it was written. Bowen does an excellent job of restoring agency and intelligence to the farmers who rose up to demand their rights in the 1880s, whose actions should not be consigned to the category of "failure," or lightly forgotten.

Further reading: Gordon, Imperial Democracy; Kim Kyu Hyun, The Age of Visions and Arguments

Meta notes: But the human microphone will find a voice/And a change is gonna come/Said the signal to the–
ahorbinski: The five elements theory in the style of the periodic table of the elements.  (teach the controversy)
2014-03-04 02:36 pm

Book review: The Meiji Restoration

Bibliographic Data: Beasley, W. G. The Meiji Restoration. Stanford: Stanford University Press, 1972.

Main Argument: The Meiji Restoration was a product of political and socioeconomic changes in the bakumatsu period in particular and the Tokugawa period in general, once the opening of the country gave it the necessary push.

The Meiji Restoration )

Critical assessment: I just want to point out that something being "feudal" and capitalist at the same terms is basically a contradiction in terms--it is definitely so by the Marxist definitions, and arguably so by less doctrinaire definitions. More seriously, I guess I think that Beasley is mostly right in what he says in this book, but I have to disagree on the question of nationalism; or, no, not disagree, but qualify the term "nationalism," which Beasley never does; like Beth Berry, I agree that there was a sense of nation in the Tokugawa period, but I don't know that I would call the Meiji Restoration a nationalist revolution. I would, however, call it a revolution, full stop; not every revolution is world historical: viz the American Revolution, for one.

Further reading: Craig, Chôshû in the Meiji Restoration; Baxter, The Meiji Unification through the Lens of Ishikawa Prefecture; Huber, The Revolutionary Origins of Modern Japan; Kim, The Age of Visions and Arguments

Meta notes: "A little revolution, every now and then, can be a good thing."