Prince of Dogs
- #2 in Kate Elliott's Crown of Stars series. Lots of chess pieces moved across the board, but it felt like not much happened. This book sadly suffered from more bloat than the first one. Still, there's a lot to love, and I will continue reading to find out what happens.Eleanor & Park
- I really didn't like this. Maybe it suffered from my having read Fangirl
first. This felt more like a sketch of a book than a book.Maus, vols 1 & 2
- Borrowed from jesse_the_k
via comics club. Hard to say much about books that focus on the Holocaust? This was remarkable for two reasons: one being the author's relationship with his father. In the present, he's trying to get his father to tell his story. & despite his father literally having survived the Holocaust, he gets annoyed by him, has to deal with him, tries to avoid getting asked to do work for him, etc. (tbh Spiegelman the author seemed like kind of a dick to his dad)
The second reason being that the parts focusing on the actual Holocaust discussed not only the brutality of the Nazis, but the way equals attacked each other for survival. The characters in this book absolutely survived because if their wealth. & the father telling the story makes it clear to his son that the people who helped them did not do so out of the goodness of their hearts, but because they were paid.Gangsta, vol. 1
- Checked out form library b/c inkstone
loves it. This was a fun ride, and an interesting premise. I'm eager to read more.
Content warning for some transphobia.The Ice Dragon
- Story by George RR Martin that's supposed to be for kids, but it's pretty fucking violent? Worth picking up for the art.The Life-Changing Magic of Tidying Up
- I think I heard about this in the New York Times? Can't remember any more.
Marie Kondo has created her own tidying system, which she calls KonMari.
The book is sometimes hilarious, because she chronicles her lifelong obsession with organization and tidying, starting in kindergarten. She tidies her school rooms; she gets in trouble with her family for throwing out old clothing in the back of their closets that they never wear anyway; she eventually gets banished to only being allowed to tidy her own bedroom.
The book suffers from a lot of...encouraging talk to the reader? Whereas the system itself is pretty basic. Everyone has enough room to store all of their belongings neatly. If you never have enough room to put everything away, the problem is not that you need to buy some specific kind of closet organizer or plastic drawers, but rather that you have too much crap.
If you're able to put everything away, Kondo argues, you will only have to "tidy" once in your whole life. It'll take a huge commitment on your part to do it, & to do it right, but once you've done it, you'll be surrounded only by things that you love. Sure, you'll have to clean like everyone else, but you won't have to tidy up before you do it.
The key is to ruthlessly go through all of your belongings - all of them - and physically touch each item to see whether it sparks joy or not. You need to focus on what to keep, rather than what to discard. This must be done in a specific order: first clothing [there's a specific sub-order for how to do your clothes], then books, papers, komono [randoms: CDs/DVDs, makeup, electrical equipment, etc., all also in a specific order], and finally, mementos.
This specific order must be followed, because the skill of determining whether something sparks joy in you or not has to be honed. You won't be able to bear to part with any mementos unless you've sharped this skill by going through everything you've done before.
Once you have done this, she argues, you will have enough room for everything.
[She also has a few tips, such as storing everything vertically. Pinterest & YouTube seem to have her folding recs, etc. up: http://www.pinterest.com/eburymakes/the-life-changing-magic-of-tidying
] Kondo says that making the commitment & tidying up will probably change your life. She spends a lot of time on weight loss/people's figures, but also talks about people quitting jobs they hate to do things that they love. She thinks people will take better care of their belongings after having completed the program.
There are a few quirks here - Kondo encourages the reader to speak to their possessions, to thank them each day for the help as you put them away.
While I have been known to sing to my rice cooker while washing it in my sink, or to my mushrooms as I slice them up before cooking them, I found these passages kind of a far stretch.
There's some advice I'm ignoring, also. I strongly disagree on how many books are necessary in a home, for example, and it'll be a cold day in hell before my bookshelves are shut away in my closets.
She can also be a little sexist/heteronormative/classist.
Kondo advises readers to toss any/all manuals on how to operate and fix appliances. She says that you can just look things up on the internet or take them to a repair person. While the internet might be helpful to all, I think this is assuming a little bit of privilege.
As is her sometimes repeated advice, "If you actually need it later on, just buy a new one."
She talks about "lounge wear" at home being something that should be clothing is specifically tailored for, rather than old/worn clothes. She asks women to consider buying an "elegant nightgown," :p
The narrative also seems to assume the reader is a woman, and refers at times to "old boyfriends."
For me, I was able to skim over the stuff I didn't like and hold on to the method.
The last thing I disagree with might be the most important. Kondo says that you must do everything, wholesale, all at once. All your clothing - all your shirts at once, in a pile, and then go through all of them.
Juggling a bunch of medical issues, this simply isn't possible for me.
Still, I've gone through the bottom drawer of my dresser. Everything has been discarded except for a sweater, a long-sleeved shirt that I've all but stolen from my boyfriend, and a t-shirt from high school. I've kept all the t-shirts from high school musicals and plays for years, but only one of them ever fit me well & felt comfortable. Getting rid of the shirts doesn't mean I'm getting rid of the memories, though - just that I'm getting rid of the negative associations I have with the shirts not having fit me for over ten years.
I've also cleaned out a suitcase that was both filled with & covered with clothes in the bottom of my closet. The suitcase is now upright, as is my spinner suitcase, next to it.
I'm looking forward to seeing how this book continues to influence me & my home, even if I'll be moving along more slowly than the author suggested, and I'm glad I checked it out from the library.Ashes of Honor
- (October Daye #6) I waffled on rating this 3 stars versus 4. This plot has been the most interesting to me after Book 3/Blind Michael.
However, I feel like this one suffered a little from too MUCH banter? idk.
It's also bugging me how much exposition there is - through internal narration and dialogue both.
To be honest, this is something I struggle with in my own writing, so feeling harsh about it might be my own deal.
That said, I still love these characters, & I think I grow to love them a little more every book. Dying to see the follow-up on the cop. Tybalt's voice is Balthier's from FF XII to me.
As always, I'm looking forward to reading more. The Moe Manifesto
- It would've been better if there was a "manifesto" of any kind? Instead, it was a collection of interviews with Japanese people about what they think moe is/means. Interviewees included Mari Kotani, a frequent WisCon attendee. The entire focus of the book was men's relationship with moe. I know that moe is targeted toward men, but sometimes I think literally only littlebutfierce
& I care about how not!men feel about/react to moe.The Runner
- Fourth entry in Cynthia Voigt's Tillerman cycle. I don't think I've read this one before. It's weird to spend most of a book disliking the protagonist, but then Voigt just grabs you with a sucker punch. I really wish I could write like her. Wow.Honey & Clover, vol. 1
- I've never actually read the manga all the way through, although the anime remains one of my hands-down favorites. Umino's art is sketchy, but unusual from other manga styles in a way that's interesting. Part of what's unique about this series is that I actually give a fuck about the male characters, which is pretty rare for me in a shoujo series. I know a lot of people bounce off this series for the way Hagu first appears, but I think it's important to keep in mind that her initial appearance - tiny/"cute" - is from Mayama and Takemoto's points of view. Over the course of the series, Hagu undergoes a tremendous amount of emotional growth.
Paying a lot of attention to things Hagu & Shu say to/about one another, knowing how this ends :[
Now that I'm actually out of college & have settled in a job that I love, I think I have a better appreciation for the struggles the characters are going through. Most non-sf/f anime/manga take place in high school, so it's cool to see a series where the characters are a little older, & really need to get their shit together.
Reading manga is faster than watching the anime, but I find myself thinking a lot about the insert songs by Suga Shikao and Spitz. This was a great fucking show. Also, I forgot how funny
& now I want to upload more Honey & Clover icons that I've had saved for fuckin' ever.
PS: My faves are Yamada & Morita.